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Course Code: 
COMM 120
Course Period: 
Spring
Course Type: 
Core
P: 
3
Lab: 
0
Credits: 
3
ECTS: 
5
Course Language: 
English
Course Coordinator: 
Course Objectives: 
This course aims to analyze the art history and aesthetic concept chronologically. Within the frame of this course where art and aesthetics’ main definitions are made, ideas related to art movements are questioned, traditional art forms (painting, sculpture, language, and performance), contemporary technological applications and aesthetic teachings are discussed.
Course Content: 

Students analyze, compare, and discuss the artistic activities of historical periods, life styles and thinking habits in the frame of aesthetic teachings while setting relations between them. Students are also expected to gain knowledge and analytical thoughts around the notions of art movements and changes upon aesthetics over time.

Course Methodology: 
1. Lecture 2. Interactive Lecture
Course Evaluation Methods: 
C. Assignment

Vertical Tabs

Course Learning Outcomes

Learning Outcomes Program Learning Outcomes Teaching Methods Assessment Methods
1) Constructs links between art and aesthetics. 7, 9 1, 2 C
2) Gains the ability to build an efficient art view. 1, 3, 6 1, 2 C
3) Links artistic and cultural knowledge and values, and builds an analytic approach accordingly. 1, 7, 8 1, 2 C
4) Learns methods of research, reading, and presenting in order to analyze the works of art; its elements, application fields, rules, principles, foundational notions, and historical context. 1, 8, 9 1, 2 C
6) Applies the gathered scientific knowledge regarding cultural assets upon contemporary issues when necessary. 3, 4, 8, 9 1, 2 C

 

Course Flow

COURSE CONTENT
Week Topics Study Materials
1 Acquainting with the students / Knowledge upon the class schedule / Requesting class materials  
2 Art and Aesthetics İsmail Tunalı, Greek Aesthetics: Part 2 Art Philosophy, P.69-129
3 Ancient Art and Aesthetics / Early Christian and Byzantine Art / Islamic Art Platon, Sokrates, Aristoteles, Platinos
4 Medieval European Art and Aesthetics The Pre-Renaissance period Aesthetics in the Middle Ages, Augustinus, Thomas Aquinas

E.H. Gombrich, The Story of Art, Chapter 1, Chapter 2

5 15th and 16th century: Discovery of Reality /

Modern Age (Renaissance) Art (1453-1789) and Aesthetics

Chapter 12-18
6 16th-18th century: Some Art Movements After Renaissance and After / Mannerism, Baroque, Rococo Aesthetic understanding of Baumgarten Chapter 12-20
7 Late 18th century: Break with Tradition / Neo-Classicism, Romance Empirism / British experientialism (Hutcheson, Hume) and German idealism (Kant, Fichte, Schelling, and Hegel) and Friedrich Schiller, Nietzsche's aesthetic approaches

Chapter 21-23

8 Midtern Exam/Assignment  
9  

Modernism, 19th Century Art Movements and Aesthetics / Society, Art and Aesthetics

According to the 17-19th century Leibniz, Baumgarten and British experimenters, aesthetics, the influence of Hegel in the 19th century, the aesthetic aestheticists who emerged in the second half of the 19th century (spiritual and social scientific research)
10 19th Century Art Movements / Realism, Barbizon school, Impressionism, Art Nouveau, Art and Craft Chapter 24-27
11 Postmodernism, Art and Aesthetics: The 1930s Accepted of the Peak of Art / 1960s from Modernism to Postmodernism / Computer Technologies and 1990s. Postmodern aesthetics / Feminist Aesthetic Theory
12 20th Century Art Movements / Basic Concepts of Today's Art Concept: Minimal Art, Conceptual Art, Fluxus, Earth Art, Performance art, Happenning, Video Art Avangard aesthetics / Machine aesthetics / Meta aesthetics
13 Media Art / New Media Art / Effects of Technological Transformations on Aesthetic Conception Digital Aesthetics / Lev Manovich, Christiane Paul, Bruce Wands
14 Forms and Classes of Digital Art / Digital Art: Digital Sculpture, Digital Installation and Virtual Reality, Performance Music and Sound Art, Digital Animation and Video, Software, Database and Game Art, Net Art Digital Aesthetics / Relational / Experiential Aesthetic Theory / Emotion Aesthetics / Political Aesthetic Theory
15 New Media Art in Turkey Ali Mihrabi, BagerAkbay, CandaşŞişman, GencoGülan, Osman Koç, SelçukArtutsanatçılarıve Today’s Art festival kurucusuOlof Van Winden
16 Final exam/Assignment  

 

Recommended Sources

RECOMMENDED SOURCES
Textbook E.H. Gombrich, The Story of Art,

İsmail Tunalı, Estetik, İsmail Tunalı, Grek Estetik’i

Norbert Lynton, The Story of Modern Art, 1980,1989 Phaidon Press Limited ,

Çeviri: Norbert Lynton, Modern Sanatın Öyküsü, Remzi Kitapevi, 2004, 3. baskı

Michael Kelly, Estetik Ansiklopedisi, 2014

Additional Resources Stanford Encyclopedia of Philosophy

Look at student website about Guillaume Appolinaire and Surrealism http://pages. emerson.edu/courses/fall99/ma547

Simon Penny, "Consumer Culture and the Technological Imperative: The Artist in Dataspace' Pierre Levy, "The Art of Cyberspace"

Anne Balsamo, "On the Cutting Edge"

John G. Hanhardt: "De-Collage/Collage: Notes Toward a Reeaxamination of the Origins of Video Art"

Heiner Stachelhaus: 'The Expanded Concept of Art"

Don Slater, "Domestic Photography and Digital Culture"

Estetik, Avner Ziss, Avangard Kuramı, Peter Bürger

1940’tan Günümüze Sanat - Varlık Stratejileri, Jonathan Fineberg.

Adnan Turani, Çağdaş Sanat Felsefesi

G. Skirberkk&N.Gilje, Antik Yunan’dan Modern Döneme Felsefe Tarihi

İsmail Tunalı, Felsefenin Işığında Modern Resim/Modern Resimden Avangard Resme

John Perry Barlow "Censorship 2000"

Serpil KAPAR, Günümüz Görsel Sanatında Çağdaşlık Analizleri ve Estetik Teoriler/Analysıs Of Contemporaneıty And Theorıes Of Aesthetıcs In Today’s Vısual Arts

Aysun Cançat, Yeni Medya Sanatı Üzerine, Atatürk Üniversitesi Güzel Sanatlar Enstitüsü Dergisi

Journal of the Fine Arts Institute, (GSED), Sayı/Number 40, ERZURUM 2018, 165-178

Orhan Cebrailoğlu, Modern/Postmodern Sürecinde Plastik Sanatlarda Estetik Arayışlar ve Sanatçının Avangard Tutumu Esthetic Reseraches At Plastic Arts And The Avangarde Manner Of The Artists On  modern/Postmodern Period, GÜ, Gazi Eğitim Fakültesi Dergisi, Cilt 29, Sayı 1 (2009) 127-139

W. F. Haug, Küreselleşmenin Motoru Olarak Meta Estetiği, , Çeviri: Emir H. Ülger, Dört Öge-Yıl 4-Sayı 9-Nisan 2016,   http://static.dergipark.org.tr/article-download/45cf/48c8/6b6f/imp-JA27R...?

Ebru WINEGARD, Dijital Medya Teknolojilerinin Sanatın Ve Tasarımın Yaygınlaşmasındaki Yeri Ve Önemi, http://nek.istanbul.edu.tr:4444/ekos/TEZ/ET000489.pdf

 

Material Sharing

MATERIAL SHARING
Documents www.coadsys.yeditepe.edu.tr
Assignments  
Exams www.coadsys.yeditepe.edu.tr

 

Assessment

ASSESSMENT
IN-TERM STUDIES NUMBER PERCENTAGE
Mid-terms 1 100
Quizzes    
Assignment    
Total   100
Contribution of Final Examination to Overall Grade   60
Contribution of In-Term Studies to Overall Grade   40
Total   100

 

Course’s Contribution to Program

COURSE CONTRIBUTION TO PROGRAM
No Program Learning Outcomes Contribution
1 2 3 4 5
1 To be able to define basic concepts, theories, methods and domains of study specific to radio, television and cinema by associating them with the findings and theories of humanities and social sciences.       X  
2 To demonstrate the responsibilities, effective participation, coordination and planning skills essential for harmonious and efficient team work in the production process in the radio, television and cinema fields.          
3 To be able to create media products in accordance with professional standards in various narrative forms and genres specific to the field by synthesizing current knowledge and skills for expertise acquired through applied and theoretical courses.     X    
4 Manifesting professional knowledge and skills in different fields of radio, television and cinema fields such as copywriting, image management, editing, sound design, producing and directing, media management locally and globally.         X
5 To develop an understanding of responsible broadcasting by integrating national and international rules of law that media professionals should pursue with professional ethical principles.          
6 To be able to use the knowledge and skills related to institutional operation and management in the production and broadcasting processes of radio, television and cinema for the common interest.       X  
7 To evaluate radio, television and cinema fields in a wide range of cultural, economic and social relations from an institutional structuring to their products with an analytical and critical approach.         X
8 To have the ability to collect visual, audio and written data, conduct research, evaluate, report and offer creative solutions in the fields of radio, television and cinema.       X  
9 To be able to design original projects in radio, television and cinema by following new technologies, developments and ideas in the fields of art, culture and media at national and global levels.         X

 

ECTS

ECTS ALLOCATED BASED ON STUDENT WORKLOAD BY THE COURSE DESCRIPTION
Activities Quantity Duration
(Hour)
Total
Workload
(Hour)
Course Duration 14 3 42
Hours for off-the-classroom study (Pre-study, practice) 14 3 42
Students Reading 14 2 28
Pairwork      
Mid-terms 1 3 3
Final examination 1 3 3
Total Work Load     118
Total Work Load / 25 (h)     4,7
ECTS Credit of the Course     5